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3.5K

Account age

4 yrs

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01 August 1936: While 100.000 spectators are celebrating the opening of the thinly veiled fascist propaganda show in Berlin, the counter exhibition “The Olympics Under Dictatorship,” or D.O.O.D. (Dutch for Death or Dead), opened in Amsterdam.
Showcasing works by 150 artists from half a dozen countries, including documentation, cartoons, photographs and drawings illustrating Nazi repression and man

21 views 01 August 1936: While 100.000 spectators are celebrating the opening of the thinly veiled fascist propaganda show in Berlin, the counter exhibition “The Olympics Under Dictatorship,” or D.O.O.D. (Dutch for Death or Dead), opened in Amsterdam. Showcasing works by 150 artists from half a dozen countries, including documentation, cartoons, photographs and drawings illustrating Nazi repression and man

Ultimately, 19 works — which were accused of portraying Germany “in an undignified manner,” and some of which were deemed “highly offensive to Adolf Hitler” — were removed by Dutch authorities.
After the exhibition had traveled on to Rotterdam, it was shut down for good by police a few days later.
Nevertheless "it united the artists in their resistance to the dictatorship and was the very embodime

10 views Ultimately, 19 works — which were accused of portraying Germany “in an undignified manner,” and some of which were deemed “highly offensive to Adolf Hitler” — were removed by Dutch authorities. After the exhibition had traveled on to Rotterdam, it was shut down for good by police a few days later. Nevertheless "it united the artists in their resistance to the dictatorship and was the very embodime

In response to protests by the German ambassador in The Hague and the German consul in Amsterdam, Amsterdam Mayor De Vlugt took the precautionary diplomatic measure of first having Harmen Meurs’ 'Zeitbild' ("Portrayal of times", 1934) removed, later followed by Karl Schwesig’s autobiographical 'Schlegelkeller' (1936) — which recounted his torture by the SA in Düsseldorf.

7 views In response to protests by the German ambassador in The Hague and the German consul in Amsterdam, Amsterdam Mayor De Vlugt took the precautionary diplomatic measure of first having Harmen Meurs’ 'Zeitbild' ("Portrayal of times", 1934) removed, later followed by Karl Schwesig’s autobiographical 'Schlegelkeller' (1936) — which recounted his torture by the SA in Düsseldorf.

Letztes Juliwochenende 2006, zum 10-jährigen Geburtstag „der größten Punkerparty weltweit“, sollen The Exploited mit dem letzten Samstagsslot die Hauptbühne des Force Attack Festivals in Behnkenhagen (MV) beschließen.
In weiser Voraussicht und in Hinblick auf die Zuverlässigkeit und Zustand der UK82-Legenden und ihres bereits damals mehr als fragwürdigen Frontmannes nur folgerichtig, gibt es nach

6 views Letztes Juliwochenende 2006, zum 10-jährigen Geburtstag „der größten Punkerparty weltweit“, sollen The Exploited mit dem letzten Samstagsslot die Hauptbühne des Force Attack Festivals in Behnkenhagen (MV) beschließen. In weiser Voraussicht und in Hinblick auf die Zuverlässigkeit und Zustand der UK82-Legenden und ihres bereits damals mehr als fragwürdigen Frontmannes nur folgerichtig, gibt es nach

📊 Post engagement

📊 Activity & format

Posting cadence

11 / week

Toots daily — consistently active for a campaign window.

Content mix

Mostly text

Recent: 8 text · 3 image · 1 video.

Follower / following

2.3×

Follows 1.5K back. A more reciprocal / networked account.

Recent posts

View on Mastodon ↗

🔥 Top post 01 August 1936: While 100.000 spectators are celebrating the opening of the thinly veiled fascist propaganda show in Berlin, the counter exhibition “The Olympics Under Dictatorship,” or D.O.O.D. (Dutch for Death or Dead), opened in Amsterdam. Showcasing works by 150 artists from… ★ 21

RE: https://suma-ev.social/@axel/117031399742400401 Just a friendly reminder that you can still get Conversations (XMPP-Client) for free from the Play Store until the 18th of August. ★ 5 On 5 August 1966, the Beatles' seventh album Revolver was released. Ambitious in its inception, as it was groundbreaking in its influence on modern music, the quartet deliberately refrained from tailoring their new sound to live performanc… ★ 11 __ Robert Michael “Bobb” Cotter - "The Complete Misfits Discography: Authorized Releases and Bootlegs, Including Recordings by Danzig, Samhain and the Undead", 2019 https://dokumen.pub/the-complete-misfits-discography-authorized-releases-a… ★ 2 __ D.O.O.D- De Olympiade Onder Dictatuur- The Olympics under dictatorship – History of Sorts https://web.archive.org/web/20240906051800/https://dirkdeklein.net/2018/02/07/d-o-o-d-de-olympiade-onder-dictatuur-the-olympics-under-dictatorship… ★ 9

Ultimately, 19 works — which were accused of portraying Germany “in an undignified manner,” and some of which were deemed “highly offensive to Adolf Hitler” — were removed by Dutch authorities. After the exhibition had traveled on to Rotte… ★ 10

In response to protests by the German ambassador in The Hague and the German consul in Amsterdam, Amsterdam Mayor De Vlugt took the precautionary diplomatic measure of first having Harmen Meurs’ 'Zeitbild' ("Portrayal of times", 1934) remo… ★ 7 On 30 July 2001, The Strokes released their debut album, 'Is This It'. Rather than looking to the future, they turned to the crunchy rock of The Velvet Underground, The Ramones, and Sonic Youth, spearheading a newly founded wave of young b… ★ 12

▶ Letztes Juliwochenende 2006, zum 10-jährigen Geburtstag „der größten Punkerparty weltweit“, sollen The Exploited mit dem letzten Samstagsslot die Hauptbühne des Force Attack Festivals in Behnkenhagen (MV) beschließen. In weiser Voraussicht… ★ 6 "If the twentieth century’s Big Dream was to escape earth in search of new worlds to inhabit, Electric Wizard showed it in a new, wild-eyed light." - "Desperate, mind-blown on weed and acid, and resolved to destruction, Come My Fanatics… i… ★ 3 In July 1996, Electric Wizard recorded their second album, "Come My Fanatics...". Contrasting 'entrepreneur' ghouls obsession of escaping "our universe for another planet to live on" but never finding it, as "the world’s heading to enviro… ★ 6 "The music may speak about a kind of alienation, but it also abundantly offers the chance of collective experiences in the form of hard-hitting, club-specific dancefloor jams. That fearless juxtaposition is the lifeforce of Tell Me I Belon… ★ 2

🐘 Community & instance

Home server

mastodon.online

A large general-interest Mastodon server. On the fediverse the server a creator picks hints at their community — this one spans all topics.

On Mastodon since

Apr 2022

An established account with real history on the platform.

💡 Facts

🗓️Joined Mastodon in 2022 — 4 years ago.

👁️Averages 8 views per post.

📤Posts about 11× per week.

🕵️ Fake follower check

Estimated

43/100

Fair Credibility score

73%

Mixed Real audience

Medium Fake-follower risk

High Data confidence

Est. 73% real, active audience · Medium fake-follower risk.
Low engagement (~0.2% of followers engage each post) — a sign of an inflated or inactive audience.
Established account (4+ years old).

Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.

About

xⓋx The Future Is Intersectional Mostly OTD posts of music, history & various.

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🔀 Audience overlap

Estimated

Estimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.

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apache/ 13%

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Doug Gregor 10%

Jorge Castro 10%

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