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Followers

2.2K

Total likes

198.7K

Videos

312

Following

988

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Known for

Every full out has a purpose. Sometimes I’m watching timing. Sometimes it’s performance quality. Sometimes it’s the tiny details no one else notices. This run, I was focused on musicality. I’m watching who’s listening. Who notices when the music breathes. Who hears the texture change. Who catches the tiny accent without me pointing to it. Who understands that not every count should feel the same. Because choreography isn’t just about learning steps. It’s learning HOW to listen. The music tells

272.3K views Every full out has a purpose. Sometimes I’m watching timing. Sometimes it’s performance quality. Sometimes it’s the tiny details no one else notices. This run, I was focused on musicality. I’m watching who’s listening. Who notices when the music breathes. Who hears the texture change. Who catches the tiny accent without me pointing to it. Who understands that not every count should feel the same. Because choreography isn’t just about learning steps. It’s learning HOW to listen. The music tells

If your choreography only looks good when YOU do it, there’s a problem. I don’t want dancers to become smaller versions of me. I want the movement to make sense on different dancers — and I think dancers can look “clean” without stripping away the artistry that makes each one of them interesting to watch. There are definitely details I won’t compromise on: timing, intention, initiation, pathways, musicality. Those are the things that make a group feel connected. But connected doesn’t have to m

236.7K views If your choreography only looks good when YOU do it, there’s a problem. I don’t want dancers to become smaller versions of me. I want the movement to make sense on different dancers — and I think dancers can look “clean” without stripping away the artistry that makes each one of them interesting to watch. There are definitely details I won’t compromise on: timing, intention, initiation, pathways, musicality. Those are the things that make a group feel connected. But connected doesn’t have to m

I think sometimes we get so obsessed with making choreography “clean” that we accidentally clean all of the life out of it. I want to clean the timing. The pathways. The transitions. The spacing. The intention. But I still want the dancers to look like THEMSELVES. Because cohesive and identical are not the same thing. And personally, I’ll take a group of dancers who are completely committed to the movement, understand what they’re doing and why they’re doing it, and bring their own artistry to i

65.5K views I think sometimes we get so obsessed with making choreography “clean” that we accidentally clean all of the life out of it. I want to clean the timing. The pathways. The transitions. The spacing. The intention. But I still want the dancers to look like THEMSELVES. Because cohesive and identical are not the same thing. And personally, I’ll take a group of dancers who are completely committed to the movement, understand what they’re doing and why they’re doing it, and bring their own artistry to i

I don’t think you should choreograph for the dancers you wish you had. I think you should choreograph for the dancers standing in front of you. That doesn’t mean making the choreography easier. And it definitely doesn’t mean lowering the standard. It means paying attention. What are they naturally good at? How do they move? What qualities do they have that you can pull out even further? My job is to create the best piece I can with the people I actually have. Challenge them. Push them. Ask more

45.3K views I don’t think you should choreograph for the dancers you wish you had. I think you should choreograph for the dancers standing in front of you. That doesn’t mean making the choreography easier. And it definitely doesn’t mean lowering the standard. It means paying attention. What are they naturally good at? How do they move? What qualities do they have that you can pull out even further? My job is to create the best piece I can with the people I actually have. Challenge them. Push them. Ask more

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Content niche

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📹 Recent videos

Latest posts straight from chandlerlouque's TikTok.

@chandlerlouque

💡 Facts

👁️Averages 55.9K views per stream.

📤Posts about 0.2× per week.

💬29.22% engagement rate.

👥 Audience demographics

Estimated

Modeled from this creator's niche, platform & region — a niche benchmark, not this creator's real audience data.

Gender split

Male 42% Female 58%

Age · peak 18-24

13-1718%

18-2440%

25-3424%

35-4410%

45+8%

Top geographies

United States34%
India11%
United Kingdom8%
Brazil6%
Indonesia5%

Likely interests

EntertainmentLifestyleTrending

🕵️ Fake follower check

Estimated

92/100

Excellent Credibility score

98%

Real Real audience

Low Fake-follower risk

High Data confidence

Est. 98% real, active audience · Low fake-follower risk.
Strong engagement (~25.6× of followers engage each post) — an active, real audience.
29.22% engagement — above the ~15% typical for a TikTok account this size.

Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.

💚 Brand affinity

Estimated

Brands chandlerlouque's audience is most likely to respond to — from detected sponsorships in this niche.

Keeps

Nebula

Shopify

Coinbase

Robinhood

Fiverr

Incogni

NordVPN

Brilliant

Webull

About

Dancer | Choreographer | Teacher 📍Honolulu, Hawaii

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Recent content

There’s a point when I’m choreographing where I’ll be deciding between two choices. Both work. Both fit the music. Both could technically be “right.” But one just feels right. The step. The texture. The timing. The intention. Even the way I transition into it. And the longer I choreograph, the more I’ve learned to trust that feeling. I think you build that instinct by making thousands of choices over time. You try things. You change them. You watch movement on different bodies. You realize when

4.4K views · 3 days ago

really getting nasty over here #dance #ballroomdance #dancer #choreography

841 views · 4 days ago

I think sometimes we get so obsessed with making choreography “clean” that we accidentally clean all of the life out of it. I want to clean the timing. The pathways. The transitions. The spacing. The intention. But I still want the dancers to look like THEMSELVES. Because cohesive and identical are not the same thing. And personally, I’ll take a group of dancers who are completely committed to the movement, understand what they’re doing and why they’re doing it, and bring their own artistry to i

65.5K views · 5 days ago

There’s nothing better than watching the thing you saw in your head start to exist in front of you. The movement, the musicality, the intention — yeahhhh. This is exactly what I meant. #chandlerlouquechoreography #danceteacher #choreographer #dancer #dance

2.1K views · 6 days ago

I don’t think you should choreograph for the dancers you wish you had. I think you should choreograph for the dancers standing in front of you. That doesn’t mean making the choreography easier. And it definitely doesn’t mean lowering the standard. It means paying attention. What are they naturally good at? How do they move? What qualities do they have that you can pull out even further? My job is to create the best piece I can with the people I actually have. Challenge them. Push them. Ask more

45.3K views · 6 days ago

new small group in the works ⚡️ #chandlerlouquechoreography #choreographer #danceteacher #dancer #dance

1.8K views · 7 days ago

If your choreography only looks good when YOU do it, there’s a problem. I don’t want dancers to become smaller versions of me. I want the movement to make sense on different dancers — and I think dancers can look “clean” without stripping away the artistry that makes each one of them interesting to watch. There are definitely details I won’t compromise on: timing, intention, initiation, pathways, musicality. Those are the things that make a group feel connected. But connected doesn’t have to m

236.7K views · 8 days ago

Sometimes the most obvious sound isn’t the most interesting one to choreograph to. There might be a huge beat that everyone expects you to hit—but what if instead you… - Follow the background vocal. - Catch the sound underneath it. - Hold through the accent. - Let the music have the moment without adding anything at all. As a choreographer, musicality isn’t just about how much of the music you can hear. It’s deciding what deserves your attention. Sometimes ignoring the obvious choice is what ma

8.9K views · 9 days ago

If your choreography is starting to feel repetitive, you might not need new steps. You might need a new way of doing them. Before you change the movement, try changing: — the texture — the timing — the weight — the size — where the energy builds + releases — what gets accented vs. what gets thrown away The same movement can feel completely different depending on how you ask the dancer to approach it. Sometimes the choreography doesn’t need more. It needs more contrast. #chandlerlouquechoreograph

2.9K views · 11 days ago

Every full out has a purpose. Sometimes I’m watching timing. Sometimes it’s performance quality. Sometimes it’s the tiny details no one else notices. This run, I was focused on musicality. I’m watching who’s listening. Who notices when the music breathes. Who hears the texture change. Who catches the tiny accent without me pointing to it. Who understands that not every count should feel the same. Because choreography isn’t just about learning steps. It’s learning HOW to listen. The music tells

272.3K views · 2 months ago

LETS GEAUX 💜💛

23.1K views · 1 year ago

forever growing ❣️

7.2K views · 1 year ago

🔀 Audience overlap

Estimated

Estimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.

briskteaching 48%

Mr Waleed Mounir 44%

teachncreate_mrs.harris 43%

obeatrice22 42%

veganmimi66🌱🌎 40%

MC Grammar 40%

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chandlerlouque has 2,180 followers on TikTok.

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Known for

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🏷️ Niche & audience

📹 Recent videos

💡 Facts

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