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Opinion Battlegrounds

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🔄 Data last refreshed 3 months ago
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Ratings
N/A
Episodes
14
Cadence
0 ep/wk
Latest episode
1 year ago
🎁 Free analysisfor Opinion Battlegrounds

🗓️ Publishing rhythm

Variable
New episodes · by day of week
M
T
W
T
F
S
S
Release cadence
Monthly
≈ 0 episodes / week — cadence varies, so lock dates when you book.
Usual drop day
Wednesdays
New episodes most often land on Wednesdays — the freshest slot for a host-read ad to reach listeners.
Catalog depth
14 episodes
An established show — roughly 7 years at this pace, with a deep back-catalogue of evergreen ad inventory.

💡 Facts

📤Posts about 0× per week.
📍Based in United Kingdom.

👥 Audience demographics

Estimated

Modeled from this creator's niche, platform & region — a niche benchmark, not this creator's real audience data.

Gender split
Male 52% Female 48%
Age · peak 18-24
13-177%
18-2428%
25-3427%
35-4423%
45+15%
Top geographies
  • United Kingdom44%
  • United States18%
  • Ireland5%
  • Australia5%
  • Canada4%
Audience language
  • English88%
  • Other12%
Likely interests
EntertainmentLifestyleTrending

💚 Brand affinity

Estimated

Brands Opinion Battlegrounds's audience is most likely to respond to — from detected sponsorships in this niche.

Whop Thealexjonesstore Truthsocial

About

Opinion Battlegrounds - from international strategic issues management specialists Chelgate Ltd. In each episode we apply a magnifying glass to this week’s great debates. We consider the arts of persuasion, discussing the techniques and strategies, failures and successes, fought out across the charred, smoking battlegrounds of the war of public opinion. Who won? Who Lost? Who persuaded you? It won’t matter if we agree with the arguments being made or disagree. It won’t matter whose side we are on, or who we like or dislike. For each episode, Chelgate Executive Chairman Terence Fane-Saunders (https://www.linkedin.com/in/terence-fane-saunders-83344619/) will be joined by two or three expert guests to pick apart the battles for your opinion. Our wonderful introductory music is with kind permission of the London Symphony Orchestra. It’s from Carl Ditters von Dittersdorf’s Double Bass Concerto, originally written in E flat Major but performed here a semitone lower. Rinat Ibragimov, the LSO’s principal double bass of the London Symphony Orchestra, together with Catherine Edwards. https://www.youtube.com/watch?v=PNYuRbsSJYw

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Frequently asked questions

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