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高橋久美子のkikimimi
🤝

Make a deal with 高橋久美子のkikimimi

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Every booking is a normal escrow-protected deal.

Ratings
N/A
Episodes
126
Cadence
1 ep/wk
Latest episode
2 months ago
🎁 Free analysisfor 高橋久美子のkikimimi

🗓️ Publishing rhythm

Very consistent
New episodes · by day of week
M
T
W
T
F
S
S
Release cadence
Every 7 days
≈ 1 episodes / week — a dependable drop schedule for planning a campaign around.
Usual drop day
Sundays
New episodes most often land on Sundays — the freshest slot for a host-read ad to reach listeners.
Catalog depth
126 episodes
An established show — roughly 2 years at this pace, with a deep back-catalogue of evergreen ad inventory.

💡 Facts

📤Posts about 1× per week.
📍Based in Japan.

👥 Audience demographics

Estimated

Modeled from this creator's niche, platform & region — a niche benchmark, not this creator's real audience data.

Gender split
Male 46% Female 54%
Age · peak 18-24
13-179%
18-2436%
25-3430%
35-4414%
45+11%
Top geographies
  • Japan52%
  • United States14%
  • United Kingdom6%
  • India5%
Audience language
  • Japanese78%
  • English16%
  • Other6%
Likely interests
MusicConcertsEntertainment

💚 Brand affinity

Estimated

Brands 高橋久美子のkikimimi's audience is most likely to respond to — from detected sponsorships in this niche.

Streamersonglist Keeps Mixcloud Treatstream Fiverr DistroKid Thronegifts Genshin Impact Steamcommunity Beatport

About

「チャットモンチー」を脱退後、作家、作詞家として活動中の高橋久美子が、制作活動やプライベートで感じたことをそのまま番組にしました。 音楽の話や歴女話など何が飛び出すかわからない5分間です。 お楽しみに!

📸 Gallery

Frequently asked questions

How much does 高橋久美子のkikimimi charge for a sponsorship?
高橋久美子のkikimimi hasn't published fixed prices yet. Send a proposal through SocialDB and agree terms directly — your payment is held in escrow until the work is approved.
How do I contact 高橋久美子のkikimimi for a brand deal or collaboration?
Send a paid deal or collab request right here on SocialDB — we notify 高橋久美子のkikimimi, and once they accept, your payment is held safely in escrow and released when the work is approved. You don't need to track down an email.

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