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Geoffrey Gordon Composer

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Ratings
N/A
Episodes
64
Cadence
0.1 ep/wk
Latest episode
10 months ago
🎁 Free analysisfor Geoffrey Gordon Composer

🗓️ Publishing rhythm

Irregular
New episodes · by day of week
M
T
W
T
F
S
S
Release cadence
Every 3 days
≈ 0.1 episodes / week — cadence varies, so lock dates when you book.
Usual drop day
Tuesdays
New episodes most often land on Tuesdays — the freshest slot for a host-read ad to reach listeners.
Catalog depth
64 episodes
An established show — roughly 12 years at this pace, with a deep back-catalogue of evergreen ad inventory.

💡 Facts

📤Posts about 0.1× per week.
📍Based in United Kingdom.

👥 Audience demographics

Estimated

Modeled from this creator's niche, platform & region — a niche benchmark, not this creator's real audience data.

Gender split
Male 50% Female 50%
Age · peak 18-24
13-1712%
18-2434%
25-3428%
35-4417%
45+9%
Top geographies
  • United Kingdom44%
  • United States18%
  • Ireland5%
  • Australia5%
  • Canada4%
Audience language
  • English88%
  • Other12%
Likely interests
MusicConcertsEntertainment

💚 Brand affinity

Estimated

Brands Geoffrey Gordon Composer's audience is most likely to respond to — from detected sponsorships in this niche.

Streamersonglist Keeps Mixcloud Treatstream Fiverr DistroKid Genshin Impact Steamcommunity Beatport Nebula

About

US/UK composer Geoffrey Gordon’s contributions to the contemporary music repertoire have been and continue to be exceptional. Intense and luxuriant harmony, passionate melody and superb handling of instrumentation and sonic textures define his music. His works include orchestral, chamber and vocal works, recognised and performed by the world's top musicians and ensembles. His music has been called "darkly seductive" (The New York Times), "complex, richly-satisfying " (BBC Music Magazine), “stunning” (Philadelphia Inquirer), “iridescent and glowing” (Chicago Tribune), “taut and exhilarating” (Classical Ear), “haunting” (Strings Magazine), "gripping" (Bachtrack), "fierce and uncompromising" (MusicWeb International) and “magnificent” (Fanfare). The Philharmonia identifies “his infectious style" and “an ear for melody”; the New York Times his “zest for sonic experimentation”. Recently and upcoming, the BBC Philharmonic will premiere Mr. Gordon's new bassoon concerto, Anima Mia, during the 2022-23 concert season; the St. Paul Chamber Orchestra, Swedish Chamber Orchestra and Hong Kong Sinfonietta will premiere a jointly commissioned chamber concerto for Bb clarinet and ensemble, Fumee; and the Antwerp Symphony will premiere Mr. Gordon's Mad Song, which they commissioned for soloist Dimitri Mestdag. In 2018, the Philharmonia gave the premiere of Geoffrey’s Gordon’s bass clarinet concerto “Prometheus” after the treatment by Franz Kafka, at the RFH, with US and Nordic premieres following in 2019 with the Minnesota Orchestra and Malmo Symphony. His superb setting of Keats' “Ode to a Nightingale” for choir and cello premiered in May 2018 in Copenhagen by Mogens Dahl Chamber Choir and a new CD of three of his major cello works, Cello Libris, was released on the BIS label in early 2020, featuring the Copenhagen Philharmonic under Lan Shui. His song cycles, “Peter Quince at the Clavier” and “Sonnets from Neruda” premiered in March 2018 at the Arnold Schoenberg Center

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