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Followers
107
Account age
3 yrs
💰 Suggested sponsorship rate
$40 – $65 / sponsored post
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🎁 Free analysisfor Thomas Dreher
Known for
8 views
History of Computer Art, HTML versions in English and German with embedded videos: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms - as it was before.
All versions of the "History of Computer Ar
3 views
My review of Paul Wood's "Biting the Hand" is published on Art.Hist. The artist Paul Wood, living in Milton Keynes, was a member of the Art & Language group of artists founded in 1968. In publications on Conceptual Art and Art & Language, he and other English fellow campaigners have so far been ment
2 views
Ramona Westhof interviewed me about Allan Kaprow's "18 Happenings in 6 Parts" (1959) and its consequences for performance art. Deutschlandfunk Kultur, 10/04/2024. Corrections: In 1959 Allan Kaprow used the term happening for the first time in a title (He realized happenings since 1958). The person p
2 views
After features of circa 200 hundred individual works with links to my interpretations I decided to stop the series. Thank you for your attention! My sites: https://dreher.netzliteratur.net ; http://iasl.uni-muenchen.de/links/lektion0e.htm
📊 Post engagement
Recent posts · likes + reposts
Aug 1latest
2
Avg engagement / post
1–2
Typical post (engagement)
1.9%
Engagement vs followers
58/100
Consistent reach
Nov 2022
On Mastodon since
Half of recent posts land between 1 and 2 likes + reposts (median 2) — a dependable floor a sponsored post can count on.
🔥 Top post: History of Computer Art, HTML versions in English and German wit · 8 likes + reposts
📊 Activity & format
Posting cadence
0.08 / week
A lower-frequency account — each post lands with more weight.
Content mix
Mostly images
Recent: 0 text · 12 image · 0 video.
Follower / following
0.5×
Follows 207 back. A more reciprocal / networked account.
Recent posts
View on Mastodon ↗
🔥 Top post
History of Computer Art, HTML versions in English and German with embedded videos: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms - as it was before.
All versions of the "H…
Florian Böhm, Luca Pizzaroni, Wolfgang Scheppe: EndCommercial, 1997-2002. Critique in: Dreher, Thomas: Art, Entertainment & Fiktion. Drei Beispiele. In: Kunstforum Bd. 202/2010, p.92-97. PDF in: URL: https://dreher.netzliteratur.net/8_Konz…
Pierre Huyghe: Third Memory, 2000. Video installation. Critique in: Dreher, Thomas: Art, Entertainment & Fiktion. Drei Beispiele. In: Kunstforum Bd. 202/2010, p.92-97. PDF in: URL: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Art…
Joseph Kosuth: Passagen-Werk, 1992. documenta 9, Neue Galerie, Kassel. Critique in: URL: https://dreher.netzliteratur.net/3_Konzeptkunst_Kosuth2e.pdf
#JosephKosuth #WalterBenjamin #Passagenwerk #ConceptArt #ConceptualArt #documenta #docume…
Critique of Daniel Spoerri, exhibition at Lenbachhaus Munich 1990-1991, in: das kunstwerk, March 1991, p.57ff. URL: https://dreher.netzliteratur.net/1_Die_60ziger_Jahre_Spoerri.pdf
#DanielSpoerri #nouveaurealisme #objectart #neodada #table…
Critique of the exhibition Concept Art, Mimimal Art, Arte Povera, Land Art: Collection Egidio Marzona, Kunsthalle Bielefeld 1990 (Now a part of the collection SMPK, Hamburger Bahnhof, Berlin). New in: URL: https://dreher.netzliteratur.net/…
My review of Paul Wood's "Biting the Hand" is published on Art.Hist. The artist Paul Wood, living in Milton Keynes, was a member of the Art & Language group of artists founded in 1968. In publications on Conceptual Art and Art & Language, …
Sol LeWitt: Structures with Open Cubes, since 1965. Painted Wood. In: Dreher, Thomas: Differenz und Indifferenz. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 6, Munich 1989, p.6f. PDF with new illustrations: https://dreher.n…
Robert Smithson: Double Non-Site, California and Nevada, 1968. Map, five painted steel boxes, lava from the Marl Mountains, California, and obsidian from the cinder cone near Truman Springs, Nevada. In: Dreher, Thomas: Epistrata. In: Künst…
Robert Morris: Continuous Project Altered Daily, 1969. Installation Leo Castelli Gallery, New York. Documentation as leporello, Multiples, Inc., New York 1970. In: Dreher, Thomas: Anamorphosen. Todesreflexe in Zerrspiegeln. In: Künstler. K…
Ramona Westhof interviewed me about Allan Kaprow's "18 Happenings in 6 Parts" (1959) and its consequences for performance art. Deutschlandfunk Kultur, 10/04/2024. Corrections: In 1959 Allan Kaprow used the term happening for the first time…
After features of circa 200 hundred individual works with links to my interpretations I decided to stop the series. Thank you for your attention! My sites: https://dreher.netzliteratur.net ; http://iasl.uni-muenchen.de/links/lektion0e.htm
🐘 Community & instance
Home server
mstdn.social
A large general-interest Mastodon server. On the fediverse the server a creator picks hints at their community — this one spans all topics.
On Mastodon since
Nov 2022
Joined in the Twitter-exodus wave of late 2022 — part of the migration that made Mastodon a real destination.
💡 Facts
🗓️Joined Mastodon in 2022 — 3 years ago.
👁️Averages 2 views per post.
📤Posts about 0.1× per week.
🕵️ Fake follower check
Estimated66/100
Good
Credibility score
89%
Real
Real audience
Low
Fake-follower risk
High
Data confidence
- Est. 89% real, active audience · Low fake-follower risk.
- Engagement (~1.9% of followers engage each post) is around typical for Mastodon.
- Established account (3+ years old).
Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.
About
I studied history of art at LMU and wrote a thesis on "Conceptual Art in America and England between 1963 and 1976" (1988, published in German in 1992).
My research on the history of art since 1945 is archived on the website "Intermedia Art" (URL: http://dreher.netzliteratur.net/). "IASLonline Lessons in NetArt" presents my research on net art (URL: http://www.iasl.uni-muenchen.de/links/lektion01e.html).
📸 Gallery
🔀 Audience overlap
EstimatedEstimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.
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