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629
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13 views
This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding through academic outputs
5 views
Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Carret – dear friends and photographers whose work lies at the h
5 views
And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader academic afterlife, while also offering fair and thoughtful critiq
5 views
The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic, experimenting with a multi-chapter ethnographic form with no
📊 Post engagement
Recent posts · likes + reposts
Apr 8latest
4
Avg engagement / post
3–5
Typical post (engagement)
0.6%
Engagement vs followers
70/100
Consistent reach
Dec 2022
On Mastodon since
Half of recent posts land between 3 and 5 likes + reposts (median 3) — a dependable floor a sponsored post can count on.
🔥 Top post: This summer marks three years since the premiere of my ethnograp · 13 likes + reposts
📊 Activity & format
Posting cadence
2.9 / week
Posts several times a week.
Content mix
Mostly images
Recent: 0 text · 11 image · 1 video.
Follower / following
0.9×
Follows 673 back. A more reciprocal / networked account.
Recent posts
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🔥 Top post
This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding thr…
And just a reminder that the film #HopaLide is available online – you can watch it here =>
https://hopalide.nuska.me/en/#watch-the-film
Best of all? It streams on #PeerTube, so no ads, no tracking –> just the film!
Enjoy!
#VisualEthnomusic…
The previous month, I also reconnected with fellow ethnomusicologist–filmmakers at the conference "New Perspectives in Audiovisual Ethnomusicology: Between Archives and New Technologies" in Cagliari. I revisited an older project there – th…
Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Car…
For those who prefer listening to reading, here is a recording from the recent Between Research and Activism: Futures of Music and Minority Studies symposium, organised by my dear colleagues at the Music and Minorities Research Center in V…
And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader acade…
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Bonus tip: if you want to experience the argument about movement to the fullest, try this HTML version of the preprint. It includes embedded multimedia that *actually* move. (Could this be the first moving preprint in the history of academ…
The article proposes thinking about ethnographic filmmaking through different forms of movement and – using Hopa lide as a case study – traces both the history and contemporary practice of movement in ethnographic film. It also invites fil…
If one academic article is not enough, you may enjoy another piece just published in Visual Studies. The article approaches filmmaking through the lens of movement, exploring how camera mobility shapes ethnographic knowledge in the film Ho…
The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic,…
First, my article on the making of the ethnographic film Hopa lide and the question of Romani representation in documentary cinema has been published in Visual Anthropology Review.
The article explores collaborative filmmaking as a respons…
This made my day! #OpreRoma
🐘 Community & instance
Home server
mastodon.world
A large general-interest Mastodon server. On the fediverse the server a creator picks hints at their community — this one spans all topics.
✅ Link-verified
Verified link
Proved ownership of a website linked on their profile — Mastodon's green-check verification, a real identity signal rather than a paid badge.
On Mastodon since
Dec 2022
Joined in the Twitter-exodus wave of late 2022 — part of the migration that made Mastodon a real destination.
💡 Facts
🗓️Joined Mastodon in 2022 — 3 years ago.
👁️Averages 4 views per post.
📤Posts about 2.9× per week.
🕵️ Fake follower check
Estimated52/100
Fair
Credibility score
76%
Mixed
Real audience
Medium
Fake-follower risk
High
Data confidence
- Est. 76% real, active audience · Medium fake-follower risk.
- Low engagement (~0.6% of followers engage each post) — a sign of an inflated or inactive audience.
- Verified account.
- Established account (3+ years old).
Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.
About
a visual ethnomusicologist
#Anthropology #Visual #Music
(...and anything at the intersection of those...)
Recent projects:
Ethnographic film #HopaLide
#MSCA Fellowship on #RomaniChords
Committed to #GreenMSCA & #GreenAcadeMiles
he/him
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