🤝
Make a deal with kiq / キク
🔒 Paid proposals held safely in escrow — released only when the work's approved.
Followers
197
Account age
3 yrs
💰 Suggested sponsorship rate
$40 – $65 / sponsored post
Estimated from audience size & typical reach — every deal is negotiable and held in SocialDB escrow.
🧰 Free analysis for kiq / キク
📊 Post engagement
2
Avg engagement / post
1%
Engagement vs followers
Nov 2022
On Mastodon since
🔥 Top post: “ #山田五郎 #教養 #教育 ” / “【メメント・モリ】山田五郎、最後の授業。伝えたい言葉。【皆様へのメッセージ】” (32 · 3 likes + reposts
📊 Activity & format
Posting cadence
85.7 / week
A very active account — posts many times a day.
Content mix
Mostly text
Recent: 12 text · 0 image · 0 video.
Follower / following
2.2×
Follows 88 back. A more reciprocal / networked account.
Recent posts
View on Mastodon ↗
XユーザーのNagakumoさん: 「【 Media info 】 本日17:00〜 京都α-STATIONの番組「CROSS POINT」にNagakumoが4人揃って出演します！ アルバム特集に加えてメンバーが選ぶ夏ソングコーナーも！ぜひお聴きください！ https://fm-kyoto.jp/blog/cross_point/ #…
Amazon.co.jp: 忌野清志郎 公式データブック (リットーミュージック) : リットーミュージック: 本
https://www.amazon.co.jp/忌野清志郎-公式データブック-リットーミュージック/dp/484564486X/356-8003510-9432916?pd_rd_w=reHIW&content-id=amzn1.sym.d997…
cute aggression ういり画集 | ういり |本 | 通販 | Amazon
https://www.amazon.co.jp/dp/4768332013?SubscriptionId=AKIAIBX3OSRN6HXD25SQ&tag=genkomark-22&linkCode=xm2&camp=2025&creative=165953&creativeASIN=4768332013
クラッシャージョウARTWORKS | 高千穂 遙, 安彦良和 |本 | 通販 | Amazon
https://www.amazon.co.jp/dp/4768332005?SubscriptionId=AKIAIBX3OSRN6HXD25SQ&tag=genkomark-22&linkCode=xm2&camp=2025&creative=165953&creativeASIN=4768332005
“＜DayDay.＞TOMORA「COME CLOSER」世界初 TV生披露【アーティストLIVE】” (2 users) https://www.youtube.com/watch?v=r4OwlDLj7LY&si=NwnZMFFqkQT8C3is
“ #fujirock #フジロック ” / “Saho Terao Live at Fuji Rock Festival'25” (1 user) https://www.youtube.com/watch?v=b_qaY3fiSVs
“Most of these Samples were found and gathered on the unofficial NuNulaxNulan Discord Server. Thanks to everybody who... / “The Sampling of Satanicpornocultshop [Part 2]” (1 user) https://www.youtube.com/watch?v=WG_D9H6U1A8
“ Martin Z” / “Boys Noize (Live at Lollapalooza Chicago 2026)” (1 user) https://www.youtube.com/watch?v=N-Lff-G7UMw
“99年シューゲ、ギタポの名バンド ギタケの1stミニ 前年秋山修司主宰のスマレコ傘下のサンシャインからクローヴァーe.p.でデ... / “マーブルギターケース – Swerve” (1 user) https://www.youtube.com/watch?v=K1AMPez4jzc
“from the album "NIRVANA" F-Label (Pony Canyon) C28A-0172” / “山口美央子 Mioko Yamaguchi - 可愛い女と呼ばないで (1981) Kawaii Onna to Yobanaide” (1 user) https://www.youtube.com/watch?v=kUImIEsly3Q
“ RemasterKingdom4.0” / “Geese | Lollapalooza Chicago 2026 | Full Set” (1 user) https://www.youtube.com/watch?v=b0tFh9mNwcQ
🐘 Community & instance
Home server
fedibird.com
Their home server on the fediverse — the instance a creator picks signals the community they belong to.
✅ Link-verified
Verified link
Proved ownership of a website linked on their profile — Mastodon's green-check verification, a real identity signal rather than a paid badge.
On Mastodon since
Nov 2022
Joined in the Twitter-exodus wave of late 2022 — part of the migration that made Mastodon a real destination.
💡 Facts
🗓️Joined Mastodon in 2022 — 3 years ago.
👁️Averages 2 views per post.
📤Posts about 85.7× per week.
🕵️ Fake follower check
Estimated75/100
Good
Credibility score
92%
Real
Real audience
Low
Fake-follower risk
High
Data confidence
- Est. 92% real, active audience · Low fake-follower risk.
- Engagement (~1.0% of followers engage each post) is around typical for Mastodon.
- Verified account.
- Established account (3+ years old).
Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.
About
大阪市在住。 Bridgy FedでBluesky、Threadsと連携中。 はてブ・Mastodon連携で雑多にポスト。 ポストは、ほぼ公開。Bluesky（ブリッジ）、リスト・購読で読めます。 Elk愛用。 購読でフォロー外の投稿も読んでいます。 フォロー承認は気まぐれ
Osaka-based. Posts are bridged to Bluesky & Threads (via Bridgy Fed) and shared from Hatena/Mastodon. Timeline is mostly public; no follow needed to read. Avid Elk user. I check non-followed posts via sub. Follow approval is at my discretion. #searchable_by_all_users
🔀 Audience overlap
EstimatedEstimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.
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