ChrisKayDanceMachine

ChrisKayDanceMachine

Kick @chriskaydancemachine Live DJ πŸ”΄ LIVE Β· 3 watching
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Make a deal with ChrisKayDanceMachine

πŸ”’ Paid proposals held safely in escrow β€” released only when the work's approved.

Followers
396
Avg viewers
1
Status
πŸ”΄ Live
Viewers now
3

Known for

▢️ Featured Video

122 views
πŸ’ƒπŸͺ©πŸ•ΊParty Service QuerBeat πŸ’ƒπŸͺ©πŸ•Ί
πŸ’ƒπŸͺ©πŸ•ΊDeine Party, Deine Musik πŸ’ƒπŸͺ©πŸ•Ί

πŸ’ƒπŸͺ©πŸ•ΊParty Service QuerBeat πŸ’ƒπŸͺ©πŸ•Ί πŸ’ƒπŸͺ©πŸ•ΊDeine Party, Deine Musik πŸ’ƒπŸͺ©πŸ•Ί Β· Watch on Kick β†—

🎬 Clip engagement

76
Avg views / clip
19.2%
Reach vs followers

πŸ”₯ Top post: πŸ’ƒπŸͺ©πŸ•ΊParty Service QuerBeat πŸ’ƒπŸͺ©πŸ•Ί πŸ’ƒπŸͺ©πŸ•ΊDeine Party, Deine Musik πŸ’ƒπŸͺ©πŸ•Ί Β· 122 views

πŸŽ₯ Streaming profile & brand fit

Streams in
Live DJ
The categories they stream most β€” match one to your product for a native-feeling collab.
Typical stream length
5h 12m
Long marathon streams β€” plenty of airtime for an integrated read, not just a shout-out.
Streams / week
4.6Γ—
Streams several times a week.
πŸ”΄ Live right now
3 watching
Concurrent viewers on air this moment β€” Kick’s live reach is what a sponsored shoutout hits instantly.

πŸ’‘ Facts

πŸ‘οΈAverages 76 views per post.
πŸ“€Posts about 4.6Γ— per week.

πŸ›‘οΈ Audience credibility

36/100 Low
  • Est. 62% real, active audience Β· High fake-follower risk.
  • Low content engagement (~0.2Γ— of followers) β€” a sign of an inflated or inactive audience.
Est. authentic audience
62%
Fake-follower risk
High

Heuristic estimate from view-through, engagement vs size and recent growth β€” a screening signal, not a guarantee.

πŸ‘₯ Audience demographics

Estimated

Modeled from this creator's niche, platform & region β€” a planning estimate, not connected analytics.

Gender split
Male 50% Female 50%
Age Β· peak 18-24
13-179%
18-2436%
25-3430%
35-4414%
45+11%
Top geographies
  • United States34%
  • India11%
  • United Kingdom8%
  • Brazil6%
  • Indonesia5%
Likely interests
EntertainmentLifestyleTrending

About

DJ aus Lust, Freude und Leidenschaft. Aus Hobby wurde mal Berufung das war in den 90ern. Music is the Key for Peace. 1990 im Pink Champagne in Koblenz, gefolgt von Stationen wie dem Babarossa Keller in Sinzig am Rhein und den Rhein Rock Hallen in KΓΆln zwischen 1994 und 1997. Von 1997 bis 2000 legte er unter anderem bei Fun Concept in Burscheid (bekannt als Ballermann 6 in Deutschland), Fun 2000 in Hannover auf der CeBit sowie im Theatro KΓΆln auf. u.v.m.

πŸ“Έ Gallery

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